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Antony and Cleopatra.

Antony and Cleopatra Poster

15 - 17 November 2003

Gallery | The Cast | Review


The Cast


Antony :- Neil Perkins

Cleopatra :- Liz Lucas

Caesar :- Chas Rodgers

Octavia :- Alice Brockway

Charmian :- Jo Hollingworth

Iras :- Wendy Burton

Mardian :- Graham Taylor

Lepidus :- Michael Church

Proculeus :- Richard Wood

Enobarbus :- Simon Wilson

Menas :- Kevin Thorpe

Clown :- Keith Ramsay

Soothsayer :- Irene North

Pompey :- John Palethorpe

Dolabella :- Bob Shirley

Alexas :- Richard Broadbridge

Scarus :- Kevin Thorpe

Messenger :- Lisa Melligan

Ambassador :- Michael Church

Damedes :- Alice Brockway

Soldier/Guard 1 :- Mark Maplethorpe

Soldier/Guard 2 :- Simon Westerman

Soldier/Guard 3 :- John Townsend

Soldier/Guard 4 :- Dave McKee

Soldier/Guard 5 :- Aggi Gunstone



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Review


Even in a city steeped in sterling amateur Shakespeare, last week's Antony and Cleopatra made quite a splash.

Staged by the newly-formed Indulgence Theatre Company at Bishop Grosseteste College and drawing together many of Lincoln's best-known actors - including several from the city's Shakespeare Company - the production was the brainchild of former drama teacher Keith Ramsay who also appeared in a surreal, almost David Lynchian cameo as a blind clown.

Thanks to its hand-picked cast, it was no surprise that the performances should be uniformly excellent, including Neil Perkins as Antony, Chas Rogers as a sneering Caesar, and Liz Lucas as the kind of petulant and perverse Cleopatra one could die for but not live with.

Simon Clark, who also directed, was on top form as Antony's right-hand man, and there were notable contributions from the likes of Jo Hollingworth and Lisa Melligan.

Spanning more than ten years, the production had the scope and sweep of a big-screen epic but at more than three hours was not without the occasional longeur. It was also difficult not to be disappointed by the multimedia element - instead of contributing to or enhancing the action, thanks to unsteady camerawork and irrelevant angles the back projections were simply distracting.

Wonderfully acted on an almost bare stage, this was clearly a labour of love for a cast which brought life, cohesion and more than a little humour to one of Shakespeare's most complex works. Quite an achievement.

Mike Lyon, The Lincoln Chronicle, November 2003
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